1985 Sonia & Robert Delaunay Poster, Orphism, Cubism, abstract, Fauvism, Museum of Modern Art, Paris, French painter, wall art decor

This is a 1985 poster of Sonia & Robert Delaunay's orphism artwork, from an exhibition at the Museum of Modern Art, Paris, France.
Dimensions: 23.5 in x 16 in (60 cm x 40 cm)

Sonia Delaunay was a French artist, who spent most of her working life in Paris. She formally trained in Russia and Germany before moving to France and expanding her practice to include textile, fashion, and set design. She co-founded the Orphism art movement, noted for its use of strong colours and geometric shapes, with her husband Robert Delaunay and others. She was the first living female artist to have a retrospective exhibition at the Louvre in 1964, and in 1975 was named an officer of the French Legion of Honor.

Her work in modern design included the concepts of geometric abstraction, and the integration of furniture, fabrics, wall coverings, and clothing into her art practice.

Robert Delaunay was a French artist who, with his wife Sonia Delaunay and others, co-founded the Orphism art movement, noted for its use of strong colours and geometric shapes. His later works were more abstract. His key influence related to bold use of colour and a clear love of experimentation with both depth and tone.

Orphism or Orphic Cubism, a term coined by the French poet Guillaume Apollinaire in 1912, was an offshoot of Cubism that focused on pure abstraction and bright colors, influenced by Fauvism, the theoretical writings of Paul Signac, Charles Henry and the dye chemist Michel Eugène Chevreul. This movement, perceived as key in the transition from Cubism to Abstract art, was pioneered by František Kupka, Robert Delaunay and Sonia Delaunay, who relaunched the use of color during the monochromatic phase of Cubism.

What is special about exhibition and gallery posters is that they are an affordable way of getting good, unique art on the walls, as although it is not an artists original, neither is it something that has been mass reproduced.

Because of the age of these posters and their history, there are areas of wear and tear, particularly on the edges. I have done my best to take photos where they are torn or stained. The posters are traditionally folded up and with their age are creased. The good news is that when framed, the creases and tears press up well against glass, and any rough edges can be hidden by mats. Any wear picked up from years are part of the vintage charm.

These posters are sent as unframed. They will be delivered in a cardboard tube for protection.

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