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1950s Fete des Fleurs d'Ajoncs Poster, from Pont Avon, an Andre Even poster of Théodore Botrel, French singer and poet, wall art decor

1950s Fete des Fleurs d'Ajoncs Poster, from Pont Avon, an Andre Even poster of Théodore Botrel, French singer and poet, wall art decor

Regular price £100.00 GBP
Regular price Sale price £100.00 GBP
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Size: 60 cm x 80 cm

Condition: Excellent vintage quality, see photos for detail

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This is a 1950s poster of Theodore Botrel in the from the "Fete des Fleurs d'Ajoncs" or Gorse Flower Fair in Pont Avon in Britanny. By 1950, Even returned to Brittany for a few years. Influenced by Paul Cézanne, Vincent Van Gogh and Charles-François Daubigny, André Even’s body of work is filled with synthetic landscapes. Briton houses, cultivated and uncultivated fields are components of his canvases that are strictly guided by the golden number, which brings harmony to the entire work. His style can be situated between primitive and contemporary Italian painting.
Dimensions: 31.5 in x 23.5 in (80 cm x 60 cm)

Jean-Baptiste-Théodore-Marie Botrel was a French singer-songwriter, poet and playwright. He is best known for his popular songs about his native Brittany, of which the most famous is La Paimpolaise. During World War I he became France's official "Bard of the Armies".
Botrel gave up his day job to become a professional singer-songwriter. When not performing in Paris, he lived in Brittany, initially taking a house in Port-Blanc, then moving permanently to Pont-Aven. He edited the journal of popular verse La Bonne Chanson and in 1905 founded the Fête des Fleurs d’Ajonc (Gorse Flower festival) in Pont-Aven, the first of the music festivals that have since become common in Brittany.

What is special about exhibition and gallery posters is that they are an affordable way of getting good, unique art on the walls, as although it is not an artists original, neither is it something that has been mass reproduced.

Because of the age of these posters and their history, there are areas of wear and tear, particularly on the edges. I have done my best to take photos where they are torn or stained. The posters are traditionally folded up and with their age are creased. The good news is that when framed, the creases and tears press up well against glass, and any rough edges can be hidden by mats. Any wear picked up from years are part of the vintage charm.

These posters are sent as unframed. They will be delivered in a cardboard tube for protection.

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Era: 1950s

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