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1960s The Holy Land Poster, Jerusalem, Church of All Nations in Gethsemane Garden by Conger Metcalf, Travel tourism vacation wall art decor

1960s The Holy Land Poster, Jerusalem, Church of All Nations in Gethsemane Garden by Conger Metcalf, Travel tourism vacation wall art decor

Regular price £300.00 GBP
Regular price Sale price £300.00 GBP
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Size: 65 cm x 96 cm

Condition: Excellent vintage quality, see photos for detail

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1960s The Holy Land Poster, Jerusalem, Church of All Nations in Gethsemane Garden by Conger Metcalf, Travel tourism vacation wall art decor

This beautiful poster shows, the colourful facade of the Church of All Nations in Gethsemane Garden in Jerusalem, in the Holy Land.
Painting by Congor Metcalf
Photo Offset Tel Aviv
Dimensions: 38 in x 25.5 in (96 cm x 65 cm)

The Church of All Nations, also known as the Church or Basilica of the Agony, is a Roman Catholic church located on the Mount of Olives in East Jerusalem, next to the Garden of Gethsemane. It enshrines a section of bedrock where Jesus is said to have prayed before his arrest.

The Holy Land is an area roughly located between the Mediterranean Sea and the Eastern Bank of the Jordan River. Traditionally, it is synonymous both with the biblical Land of Israel and with the region of Palestine. The term "Holy Land" usually refers to a territory roughly corresponding to the modern State of Israel, the Palestinian territories, western Jordan, and parts of southern Lebanon and southwestern Syria. Jews, Christians, and Muslims regard it as holy.

Congor Metcalf began his art studies in 1932 at the Iowa Stone City Art Colony, headed by American Regionalist painter Grant Wood. Metcalf continued his studies at Coe College in Cedar Rapids with Stone City co-founder Marvin Cone. Metcalf graduated from Coe in 1936, then attended the School of the Museum of Fine Arts, Boston. He received an honorary doctorate degree from Coe in 1964. During his late twenties, and during his military service in World War II, Metcalf studied European master painters in Italy and France. This formal European influence affected his style, which differs from the earthy realism of his American Regionalist mentors.

Because of the age of these posters, there are areas of wear and tear, particularly on the edges. I have done my best to take photos where they are torn or stained. The good news is that when framed, the tears press up well against glass, and edges can be hidden by mats. Any wear picked up from years are part of the vintage charm.

When framed these colourful and detailed posters, with vibrant colours can become a centre piece for any room, to remind us of a simpler time.

These posters are sent as unframed. They will be delivered in a cardboard tube for protection.

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Era: 1960s

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