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1961 Marc Chagall Poster, Self Portrait with Seven Fingers 1913, Knokke Casino, Cubism and Expressionism, gallery exhibition, wall art decor

1961 Marc Chagall Poster, Self Portrait with Seven Fingers 1913, Knokke Casino, Cubism and Expressionism, gallery exhibition, wall art decor

Regular price £220.00 GBP
Regular price Sale price £220.00 GBP
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Size: 37 cm x 55 cm

Condition: Some small edge tears and rough edges, some light foxing, see photos.

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1961 Marc Chagall Poster, Self Portrait with Seven Fingers 1913, Knokke Casino, Cubism and Expressionism, gallery exhibition, wall art decor

This Marc Chagall exhibition poster is from the Casino Communal Knokke in Belgium for a 1961 exhibition featuring his work "Auto portrait aux Sept Doigts" or "Self Portrait with Seven Fingers" from 1913 which shows the artist with 7 fingers on his left hand and holds his palette in his right.
"Hommage a Chagall"
Dimensions: 26 in x 19.5 in (55 cm x 37 cm)
Condition: some small edge tears and rough edges, some light foxing, see photos.

Marc Chagall was a Russian-French artist of Belarusian Jewish origin. An early modernist, he was associated with several major artistic styles and created works in a wide range of artistic formats, including painting, drawings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. He experienced modernism's "golden age" in Paris, where "he synthesized the art forms of Cubism, Symbolism, and Fauvism, and the influence of Fauvism gave rise to Surrealism".

Knokke Casino is a sea-front casino in the town of Knokke, in Flanders, Belgium. It is known for its permanent large-scale artworks by Keith Haring, René Magritte, and Paul Delvaux. The architectural style is said to have been influenced by Le Corbusier, along with Art Deco and the designer's Beaux-Arts training.

What is special about exhibition and gallery posters is that they are an affordable way of getting good, unique art on the walls, as although it is not an artists original, neither is it something that has been mass reproduced.

Because of the age of these posters, there are areas of wear and tear, particularly on the edges. I have done my best to take photos where they are torn. The good news is that when framed, the tears press up well against glass, and edges can be hidden by mats. Any wear picked up from years are part of the charm.

These posters are sent as unframed. They are delivered in a cardboard tube for protection.

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Era: 1960s

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