1990 Keith Haring Poster, Pop Shop VI Plate 3 1989, Limited Edition of 150, Keith Haring Foundation Prints, Pop Art, Street, wall art decor

1990 Keith Haring Poster, Pop Shop VI Plate 3 1989, Limited Edition of 150, Keith Haring Foundation Prints, Pop Art, Street, wall art decor

This is a limited edition print "Pop Shop VI Plate 3" from Keith Haring in 1989 focuses on the concepts of connectedness and the inter relationships and dependencies we have on other people to achieve our goals. The hand is made of fingers in the shape of people, all with their hands outstretched above their heads, working together as one.
This set of limited editions was released by his Foundation in the year of his death in 1990 as a series limited to 150 of thirty-three of his most iconic works.
The Foundation imprint is pressed into the corner, and there is a holographic sticker of authenticity on the reverse side.
Artist: Keith Haring
Numbered 84/150 added in pencil
Dimensions: 19.5 in x 27.5 in (70 cm x 50 cm)
Lithographer: The Keith Haring Foundation Inc

Keith Haring was an American artist whose pop art emerged from the New York City graffiti subculture of the 1980s. His animated imagery has "become a widely recognized visual language".

Haring's popularity grew from his spontaneous drawings in New York City subways—chalk outlines of figures, dogs, and other stylized images on blank black advertising spaces. After gaining public recognition, he created colorful larger scale murals, many commissioned. He produced more than 50 public artworks between 1982 and 1989, many of them created voluntarily for hospitals, day care centers and schools. In 1986, he opened the Pop Shop as an extension of his work. His later work often conveyed political and societal themes— anti-crack, anti-apartheid, safe sex, homosexuality and AIDS—through his own iconography.

Because of the age of these posters, there are areas of wear and tear, particularly on the edges. I have done my best to take photos where they are torn. The good news is that when framed, the tears press up well against glass, and edges can be hidden by mats. Any wear picked up from years are part of the charm.

These posters are sent as unframed. They are delivered in a cardboard tube for protection.

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