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1996 Yasumasa Morimura Poster, Red Marilyn, self portrait, erotic nude, photographer, Japanese art, artist gallery exhibition wall art decor
1996 Yasumasa Morimura Poster, Red Marilyn, self portrait, erotic nude, photographer, Japanese art, artist gallery exhibition wall art decor
Size: 60 cm x 84 cm
Condition: Some rough edges, see photos.
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This original exhibition poster is from the Kunsthalle in Vienna for an exhibition in 1996 featuring "Lust und Leere" or "Lust and Emptiness" It shows the work of the Japanese self-portrait photographer Yasumasa Morimura 森村 泰昌 posing as "Red Marilyn".
Dimensions: 33 in x 23.5 in (84 cm x 60 cm)
Condition: some rough edges, see photos.
Yasumasa Morimura is a contemporary Japanese performance and appropriation artist whose work encompasses photography, film, and live performance. He is known for his reinterpretation of recognizable artworks and figures from art history, history, and mass media through his adoption of personas that transcend national, ethnic, gendered, and racial boundaries.[1] Across his photographic and performative series, Morimura's works explore a number of interconnected themes, including: the nature of identity and its ability to undergo change, postcolonialism, authorship, and the Western view of Japan – and Asia, more broadly – as feminine.
Since the 1980s, Morimura's artistic process entails a rigorous system in which he transforms his entire body into a nearly identical replica of his designated subject through elaborate costumes, makeup, props, and set designs. Once digital photography and computer editing software became more accessible and refined in the late-1990s, Morimura's works demonstrate greater visual complexity in his manipulation of composition, lighting, and the number of figures he portrays within a single artwork.
What is special about exhibition and gallery posters is that they are an affordable way of getting good, unique art on the walls, as although it is not an artists original, neither is it something that has been mass reproduced.
Because of the age of these posters, there are areas of wear and tear, particularly on the edges. I have done my best to take photos where they are torn. The good news is that when framed, the tears press up well against glass, and edges can be hidden by mats. Any wear picked up from years are part of the charm.
These posters are sent as unframed. They are delivered in a cardboard-backed envelope for protection. They have been stored folded.
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Era: 1990s
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